Dance that takes itself too seriously should sometimes let its subconscious breathe.
Galerie
Crédits:
Photo 1: Intimacy-Into-me-you_see by James Viveiros, photography by Maxime Côté
Photo 2: In a loop by Amaia Elizaran, photography by Maxime Côté
Photo 3: Rhapsodie by Sylvain Emard, photography by Maxime Côté
Photo 4: Intimacy-Into-me-you_see by James Viveiros, photography by Maxime Côté
Photo 5: Les jolies choses by Catherine Gaudet, ppphotography by Maxime Côté
Photo 6: Les jolies choses by Catherine Gaudet, photography by Maxime Côté
Photo 7: Minus 16 by Ohad Naharin, photography by Maxime Côté
Photo 8: Les paumes de mes mains by Emilie Juppin, photography by Sud reportage
Photo 9: Rhapsodie by Sylvain Emard, photography by Maxime Côté
Photo 10: Alonia by Manuel Roque, photography by Maxime Côté
Photo 11: Les jolies choses by Catherine Gaudet, photography by Maxime Côté
Photo 12: Komoco Unveiled by Sofia Nappi, photography by Maxime Côté
Photo 13: Frontera by Dana Gingras, photography by Maxime Côté
Photo 14: Amer personnel creation, photography by Sud reportage
Photo 15: Racine by Emilie Juppin, photography by Sud reportage
Photo 16: In a loop by Amaia Elizaran, photography by Maxime Côté
Photo 17: Rhapsodie by Sylvain Emard, photography by Maxime Côté
Photo 18: Les jolies choses by Catherine Gaudet, photography by Maxime Côté
Photo 19: Les jolies choses by Catherine Gaudet, photography by Maxime Côté
Photo 20: Alonia by Manuel Roque, photography by Maxime Côté
Photo 21: Komoco Unveiled by Sofia Nappi, photography by Maxime Côté
Photo 22: Alonia by Manuel Roque, photography by Maxime Côté
Photo 23: Frontera by Dana Gingras, photography by Maxime Côté
Photo 24: Pause personnel creation, photography by Sud reportage
Photo 25: Rhapsodie by Sylvain Emard, photography by Maxime Côté
Photo 26: Komoco Unveiled by Sofia Nappi, photography by Maxime Côté
Photo 27: Les jolies choses by Catherine Gaudet, photography by Maxime Côté
